I remember the first time I walked through Dharavi — not as a tourist, not as a spectator, but as a quiet observer trying to make sense of its heartbeat. The lanes were alive with motion — children darting between tin roofs, the hum of machines from leather workshops, the scent of wet earth mingling with chai and sweat. Amid that pulse, there was something else too — an invisible current of resilience, a kind of defiant grace.   Reading The Awakening of Dharavi by Atul Arjun

There are some books you don’t just read — you inhabit them. They unfold like an old photograph album, where every page carries a scent, a story, a heartbeat. I Came Upon a Lighthouse by Shantanu Naidu, with illustrations by Sanjana Desai, is one such book. It’s not a biography, not exactly a memoir, but a feeling — warm, humane, and quietly luminous — much like the man at its center: Ratan Tata.   I still remember the first time I turned its pages on a quiet Sunday morning,

There’s a peculiar kind of madness that only Mumbai can offer — the kind that smells like rain on asphalt, sounds like a thousand horns arguing at once, and feels like hope stubbornly pushing through chaos. Vrushali Samant’s Madness in Mumbai: When Forty Gets Naughty bottles that madness, shakes it up with heartbreak, humour, and heat — and hands it to you with a wink. It’s fizzy, messy, and utterly intoxicating.   Vrushali Samant, who’s known for her sharp wit and eye for em

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