There’s something different about returning to a writer.   The first time you read someone, you observe them. The second time, you listen more closely.   Having reviewed earlier work by Bindu Unnikrishnan, I didn’t walk into Spilled Coffee and Some Laughs as a stranger. I walked in with memory. With familiarity. With a quiet expectation of honesty.   And this book met me there.   Some books arrive like loud announcements. This one feels like sitting across from someone who do

There are some books you don’t “start.” You gather the courage to open them.   When I picked up Coping With Cancer by Ramendra Kumar, I wasn’t just holding a Kindle edition. I was holding the possibility of fear. Cancer is not an abstract word for me. I know a couple of survivors personally. I’ve seen hospital corridors. I’ve heard the silence after a diagnosis. So yes, it took something in me to turn those first few pages.   And within minutes, I realized this wasn’t a book

The “aha” moments in life rarely arrive with fireworks. They arrive quietly — in the pause after a meeting, in the silence after a mistake, in the thought you can’t shake off. That quiet space is where A-HA! : The more you reflect, The more you become! by Sorbojeet Chatterjee operates.   From the very first pages, I sensed this wasn’t trying to be “another self-help book.” In fact, it almost resists that label. It doesn’t hand you a ten-step formula or a loud motivational ant

There’s a particular kind of silence that follows a question you cannot answer — not because you lack intelligence, but because the pieces simply refuse to sit still. That is the silence I carried while reading Salt and Blood by Amit D'Souza. Not a loud, heart-racing thriller silence. A slower one. The kind that lingers like humidity before a storm that may or may not arrive.   At first glance, this is the story of Inspector Sheela Sawant investigating a body found under unse

There is a particular kind of love that does not begin with conversation. It begins with watching.   While reading Heart Overruled – A Bengali-Tamil Romance by Debanjana Mukherjee, I kept returning to the image of a sixteen-year-old girl at her sister’s wedding, standing amidst marigold garlands and ritual chants, quietly memorising the face of a man who barely registers her presence. That first encounter is brief, almost fragile. For Parineeta, it is seismic. For Aravind, it

There are cities you visit. And then there are cities that sit inside you like unfinished conversations.   Reading Kolkata Ø KM by Swati Bhattacharyya felt less like turning pages and more like wandering through a house of echoes. Not haunted in a loud, theatrical way. Haunted the way memory is — soft-footed, patient, persistent.   This is not a book that rushes. It lingers. It circles. It asks you to sit with moments most of us hurry past.   What stayed with me most was the

Book cover of Birthday Stories  edited by Haruki Murakami featuring minimalist design and birthday-themed imagery. There is something quietly unsettling about birthdays once you cross a certain age. The cake is still sweet, the candles still flicker, but beneath the ritual there is an inventory being taken. What did I become this year? What slipped away unnoticed?   That is the emotional temperature of Birthday Stories, curated by Haruki Murakami — not festive, not nostalgic

There is a particular kind of silence that follows the collapse of something once believed to be eternal. Not the thunder of war, but the quieter, more dangerous hush—the kind that settles into abandoned halls, unsettled bloodlines, and inherited guilt. In The Shattered Empire, Atul Arjun Mohite chooses to begin there. Not at the height of glory, but in the aftermath of certainty.   The thousand-year-old Samrat Empire is already in ruins. A ruler dies without naming an heir.

There’s something quietly unsettling about a tree that watches you. Not in a mythical, larger-than-life way — but in the way an old house watches its inhabitants age, fracture, betray, and forgive. That was the feeling I carried through The Parijat Tree and Other Stories by Sameer Nagarajan — the sense that these stories are not merely told, they are observed. Closely. Patiently. Almost clinically at times.   This collection moves across decades of Indian life — from the 70s

I opened The United Nations Conspiracy late at night with the casual confidence of someone who believes they control their reading habits. One chapter, maybe two, I told myself. Somewhere between the first disappearance and the first coded warning, I glanced at the clock. Ten minutes had passed. It felt like an hour. My cup of warm water went cold beside me, unnoticed, as New York City stopped being a setting and turned into a living countdown. This book doesn’t unfold gently

I didn’t open The Life That’s Waiting expecting to be moved. I opened it the way you open a window at dawn—carefully, unsure whether the air outside will soothe you or make the ache more obvious. Brianna Wiest has a way of meeting readers exactly there, in that fragile moment when holding it all together starts to feel heavier than falling apart. This book didn’t rush me forward. It sat beside me. Quietly. Patiently. Almost insistently.   Wiest has always occupied a curious l

I opened Stories of Courage on a day when nothing dramatic was happening in my life—and that’s exactly why it unsettled me. No crisis. No breaking news. Just an ordinary day. Yet within a few pages, the ground under that ordinariness began to shift. Not violently. Gently. The way perspective changes when you overhear someone else’s truth on a bus or at a café table. You keep reading, but part of you has already gone inward, recalibrating what you complain about, what you fear

We talk a lot about heartbreak. This book is about the decisions that come before it—the calculated exits, the postponed conversations, the confidence that silence is harmless. It explores how leaving doesn’t always require walking away. Sometimes it just requires not staying. Debasish Talukdar’s The Silence I Left Her In does not announce itself as a love story, nor does it pretend to be a redemption arc. It arrives more like a folded letter you find years later in an old dr

The night I began Operation SINDOOR, the house was quiet in that fragile way silence gets after the news has exhausted itself. The phone lay face down. Outside, a distant train horn stitched the darkness together. I didn’t open the book expecting drama. I opened it expecting clarity. What I didn’t expect was to feel as if I’d stepped into a low-lit operations room where time moves in half-seconds and every choice leaves a residue.   Lt Gen K.J.S. Dhillon doesn’t write like so

Some books don’t take you back to school. They take you back to a feeling. A tightness in the chest. A silence you learned to live with. IX B: The Fragile Heart of an Achiever did that to me—not by reminding me of my own classroom, but by pulling me into a memory I hadn’t connected to school life until now.   I grew up in a co-ed environment. Boys, girls, shared benches, shared laughter, shared awkwardness. So, when people talk about the “only boys’ school experience,” I usua

I began Kalpvriksha: The God’s Code on a quiet evening when the house had finally exhaled—lights dim, phone face down, the kind of silence that feels earned. I expected a thoughtful mythological read. I didn’t expect the book to look back at me the way it did, calmly, almost knowingly, as if it had been waiting for this exact moment in human history to speak.   We live in a time obsessed with acceleration. Faster processors. Smarter machines. Shorter attention spans. And into

I read The Wisdom of Balance slowly, the way you sip something warm when you don’t want the cup to end too soon. Not because it demanded slowness, but because it invited it. This isn’t a book that shouts for your attention. It sits quietly across the table, waits for you to finish your thought, and then says something that lands a little deeper than you expected.   Swapnil Kamat’s premise is disarmingly simple: most of what matters in life exists between two truths. Work and

There’s a particular kind of silence that settles in after you close a soft romance—the kind that doesn’t rush you back into the world, but asks you to sit still for a moment. Finding Our Forever left me in that silence. Not loud. Not dramatic. Just quietly present, like a cup of tea gone lukewarm because you forgot to drink it while lost in thought.   I went into this book the way I often do: with my expectations tucked neatly away. No hype, no pressure, no assumptions about

I finished Uneasy Spaces on an evening that promised nothing memorable. The room was familiar, the day had been uneventful, and my mind was already drifting toward routine thoughts. Yet when I closed the book, something inside me refused to move on. I wasn’t overwhelmed or shaken in any obvious way. I was simply… altered. As if I had spent time listening to people speak softly about their lives, and their voices had followed me into the silence afterward. That, I think, is th

What happens when evil no longer needs to announce itself, and belief stops being about surrender and starts becoming a transaction?   That question sits at the heart of Aghori of Manikarnika 2: The Trident of Shiva, and it lingers long after the story moves on. I didn’t close this book feeling entertained; I closed it feeling quietly confronted, as if something ancient had observed me without judgment and left me alone with my answers.   Set against the unsettling stillness