I opened The United Nations Conspiracy late at night with the casual confidence of someone who believes they control their reading habits. One chapter, maybe two, I told myself. Somewhere between the first disappearance and the first coded warning, I glanced at the clock. Ten minutes had passed. It felt like an hour. My cup of warm water went cold beside me, unnoticed, as New York City stopped being a setting and turned into a living countdown. This book doesn’t unfold gently

I keep thinking about how casually we take photographs now. A thumb tap. A half-smile. A moment frozen without intention. Kachri Kamble: Selfie That Rewrote Politics made me uneasy about that casualness. It reminded me that in the age of spectacle, innocence doesn’t need to be loud to be punished—it only needs to be visible.   I read this book slowly, not because the narrative drags, but because it presses against something tender. Sandeep Sinha begins with an act so ordinary

I read The River Woman and Other Poems slowly, the way one reads something that does not want to be rushed. A few poems at night. One in the quiet between two tasks. Sometimes just a single page, because the lines had a way of lingering—like the aftersound of water moving past stones long after the river itself has slipped out of view.   Renu Roy’s poetry does not announce itself loudly. It arrives softly, almost tentatively, and then stays. This is a collection that lives in

Some books announce themselves with a thesis. This one arrived like humidity on skin—quiet, unavoidable, already inside the room before I knew it. I was reading, but I was also standing on a riverbank at night, ash cooling, water moving, the world refusing to pause for grief. That opening feeling never really left me. Dhara doesn’t ask for attention. It assumes you will eventually slow down enough to listen.   Bal Krishna Thakur’s Dhara: A Journey of Grief, Continuity, and In

I remember noticing my hands first.   They were still holding the book, long after the sentence had ended. Not gripping it. Just resting there, as if letting go would mean admitting the moment was over. The room had begun to dim in that slow, undecided way evenings do—neither day nor night, just tired of choosing. I was slouched, slightly crooked, aware that my body had been still for too long. The first thought that came wasn’t articulate. It was simpler.   I’ve been rushing