There’s something quietly cinematic about reading a Taylor Jenkins Reid novel. You don’t just read  her stories — you inhabit them. Her worlds hum with nostalgia, ambition, heartbreak, and hope, all lit by the glow of complex women who refuse to fit neatly into anyone’s expectations. And in Atmosphere , Reid takes her storytelling somewhere it’s never been before — into orbit.   She’s done Hollywood ( The Seven Husbands of Evelyn Hugo ), music ( Daisy Jones & The Six ), and s

There are some books you don’t just read — you inhabit them. They unfold like an old photograph album, where every page carries a scent, a story, a heartbeat. I Came Upon a Lighthouse by Shantanu Naidu, with illustrations by Sanjana Desai, is one such book. It’s not a biography, not exactly a memoir, but a feeling — warm, humane, and quietly luminous — much like the man at its center: Ratan Tata.   I still remember the first time I turned its pages on a quiet Sunday morning,

There’s a peculiar kind of madness that only Mumbai can offer — the kind that smells like rain on asphalt, sounds like a thousand horns arguing at once, and feels like hope stubbornly pushing through chaos. Vrushali Samant’s Madness in Mumbai: When Forty Gets Naughty bottles that madness, shakes it up with heartbreak, humour, and heat — and hands it to you with a wink. It’s fizzy, messy, and utterly intoxicating.   Vrushali Samant, who’s known for her sharp wit and eye for em

Imagine walking into a college where there are no classrooms, no exams, no professors with tweed jackets and tired eyes. Instead, you’re...