Sitting across a café table, the gentle hiss of the espresso machine in the background, I find myself thinking about how some books don’t just occupy a shelf—they quietly occupy a part of your mind. Reminiscent Reticence by Dr. Infini Lionne is one of those rare companions. From the moment I opened it, there was a hush, a subtle invitation to step inside the spaces we often avoid: the quiet corners of memory, the unspoken emotions, the private musings we rarely voice aloud. I

I read The River Woman and Other Poems slowly, the way one reads something that does not want to be rushed. A few poems at night. One in the quiet between two tasks. Sometimes just a single page, because the lines had a way of lingering—like the aftersound of water moving past stones long after the river itself has slipped out of view.   Renu Roy’s poetry does not announce itself loudly. It arrives softly, almost tentatively, and then stays. This is a collection that lives in

I noticed my breathing before I noticed the quiet.   Not the dramatic kind of silence that announces itself, but the softer one — the kind that slips in when the mind stops reaching for the next thing. I was sitting by the window. Late afternoon light. The book closed without ceremony. And for a few seconds, I didn’t feel the need to move.   That is how Fragrances Unseen stayed with me — not as a volume of poems, but as a lingering presence. Like something you smell after som