There’s something about opening a John Grisham novel that feels like walking into a familiar courtroom — the scent of old wood, the hum of ceiling fans, the quiet rustle before the verdict. You know it’ll be good, but you don’t know how it’ll surprise you this time. And with The Widow, Grisham doesn’t just surprise — he reinvents himself. After three decades of giving us legal thrillers that crackle with moral complexity, he ventures into a whodunit, and it’s as if the master