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TREE: The Sixth Element — A Book About Trees, Nature and Our Illusion of Independence

Writer: Sameer Gudhate
Sameer Gudhate
35 minutes ago
4 min read

A tree is one of the easiest things in the world to ignore.


We pass hundreds of them without looking twice. They stand outside our homes, along roads, inside school grounds, beside temples and in the middle of cities. We use their shade, breathe the air around them and depend on the ecological systems they belong to.


Yet most of the time, we simply call them part of nature and move on.


That ordinary relationship with trees is what makes Boban Idiculla Oonni's TREE: The Sixth Element interesting.


The book begins with the ancient Indian idea of the Panchabhootas: Earth, Water, Fire,

Air and Sky. Oonni then proposes a symbolic sixth element: the tree.


At first, this sounds like a spiritual or philosophical proposition.


The more interesting question, however, is what the proposition reveals about human beings.


Why call a tree an element?


An element is usually understood as something fundamental to a larger system.


Remove it, and the system changes.


Seen this way, the book's central idea is less about adding another item to a traditional list and more about reconsidering our relationship with dependence.


We like to think of ourselves as independent.


Modern civilisation makes that feeling particularly easy.


We live indoors. Food arrives through supply chains. Water comes through pipes.


Electricity appears at the flick of a switch. Information reaches us through screens. We can spend most of our lives without seeing the natural systems that make our lives possible.


The dependence has not disappeared.


It has simply become invisible.


That is where TREE: The Sixth Element becomes more than a book about trees.


It asks what happens when something is so fundamental to our existence that we stop noticing it.


A journey through ancient India


The book moves through an ancient Indian setting, including Magadha, and brings together elements of Sanatana traditions, Buddhism, Ayurveda, tribal life, folklore and nature worship.


The banyan tree occupies an especially important place.


It becomes almost a silent witness to human history.

People change. Beliefs change. Civilisations rise and disappear. The tree remains.


That image works because a tree has a very different relationship with time from the one human beings have.


We measure life in years and generations.


A tree can make our sense of time look remarkably small.


Oonni uses that contrast to explore not only nature but also the ways human beings have historically understood the living world around them.


Where the book becomes particularly interesting


I found the discussion around plant behaviour and conditioning intriguing.


It introduces a different possibility into the conversation.


Perhaps our understanding of responsiveness in the natural world is still incomplete.


That does not mean spiritual belief, historical tradition and scientific observation should automatically be treated as equivalent. They are different kinds of claims, and keeping


those distinctions clear matters.


In fact, I would have liked the book to spend more time precisely there.


Some of its most interesting ideas arrive almost as invitations to think further.


The limitation of a small book


The book is compact, and that is both a strength and a limitation.


Its subject is enormous: nature, spirituality, history, civilisation, human behaviour and our

relationship with the environment.


But the book does not attempt to become enormous itself.


Its pace is deliberately quiet.


There are no constant attempts to manufacture suspense or dramatic revelations. At times, it feels less like reading a conventional novel and more like listening to someone think aloud about an old relationship between human beings and nature.


I appreciated that quality.


At the same time, I occasionally wanted the book to stop and explore certain ideas for longer.


The relationship between ancient wisdom and contemporary understanding, particularly around plant behaviour and conditioning, could have benefited from greater depth.


The book sometimes feels like it has opened a door to a much larger conversation and then chosen to leave that conversation partly unfinished.


What stayed with me


The book did not fundamentally change my understanding of nature.


It changed the way I looked at one word.

Element.


If an element is something fundamental to the functioning of a larger system, then calling the tree a sixth element is not really a question of classification.


It is a question of dependence.


That distinction stayed with me.


We often imagine nature as something outside us.


Forests are somewhere else.


Rivers are somewhere else.


Wildlife is somewhere else.


Even trees can become background scenery.


But our separation from nature is, to a large extent, an illusion created by civilisation.


We have become exceptionally good at hiding the systems we depend upon.


Who will enjoy this book?


TREE: The Sixth Element is unlikely to satisfy readers looking for a fast-moving story, action or conventional narrative momentum.


It is better suited to readers who enjoy contemplative fiction, philosophical questions,


Indian cultural traditions, ecological themes and books that are willing to slow down for an idea.


You do not necessarily have to agree with the book's central proposition to find value in it.


In fact, I think the more interesting way to approach it is to hold the proposition at a little distance and ask what it makes you notice.


Because the real question may not be whether a tree deserves to be called the sixth element.


The real question may be much closer to home.


How many things have become invisible to us simply because they have always been there?


A tree is one example.


Nature may be another.


And perhaps our relationship with both has suffered not because we stopped needing them, but because we stopped noticing that we do.


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