There are cities that glitter at night. And then there are cities that swallow light whole.   Reading City Without Stars by Tim Baker felt like walking through one of the latter — a place where hope doesn’t disappear dramatically; it erodes quietly, layer by layer, until even the sky feels complicit.   Set in Ciudad Real, a fictionalised border town echoing the tragedies of Juárez, the novel drops us into a landscape where cartel wars rage in the shadows and hundreds of women

Book cover of Birthday Stories  edited by Haruki Murakami featuring minimalist design and birthday-themed imagery. There is something quietly unsettling about birthdays once you cross a certain age. The cake is still sweet, the candles still flicker, but beneath the ritual there is an inventory being taken. What did I become this year? What slipped away unnoticed?   That is the emotional temperature of Birthday Stories, curated by Haruki Murakami — not festive, not nostalgic

Some people are afraid of heights. Some are afraid of failure. And some are afraid of the one moment where everything is supposed to look perfect.   The Landing begins in the cockpit, but it quickly makes it clear that the real descent is internal.   First Officer Anvi Singh is the kind of woman our culture celebrates without hesitation — disciplined, decorated, precise. A rising star trusted with lives thousands of feet above ground. She is trained for chaos. She knows her c

There’s something quietly unsettling about a tree that watches you. Not in a mythical, larger-than-life way — but in the way an old house watches its inhabitants age, fracture, betray, and forgive. That was the feeling I carried through The Parijat Tree and Other Stories by Sameer Nagarajan — the sense that these stories are not merely told, they are observed. Closely. Patiently. Almost clinically at times.   This collection moves across decades of Indian life — from the 70s

Some love stories don’t explode. They simmer. And Musafir Café feels exactly like that—two cups of chai growing cold between conversations that were never fully finished.   Divya Prakash Dubey places us gently into the lives of Sudha and Chander, two people introduced through the most traditional route possible—a parental matrimonial setup—only to find themselves questioning the very institution that brought them together. Sudha, a divorce lawyer who has watched marriages unr

I opened The United Nations Conspiracy late at night with the casual confidence of someone who believes they control their reading habits. One chapter, maybe two, I told myself. Somewhere between the first disappearance and the first coded warning, I glanced at the clock. Ten minutes had passed. It felt like an hour. My cup of warm water went cold beside me, unnoticed, as New York City stopped being a setting and turned into a living countdown. This book doesn’t unfold gently

Pune is the second city I’ve loved deeply, after Mumbai. I’ve been there countless times—often enough to know the older parts by instinct, to recognise the quiet charm of its lanes, and to slowly understand the language of its newer, faster edges too. If life ever asked me to move away from Mumbai, Pune would be the only city I’d agree to without a long internal argument. It has that rare quality of familiarity without ownership, closeness without pressure. Reading Pune Junct

There’s a particular sound that echoes through Indian homes—a sharp intake of breath followed by a whispered, scandalised question: Aiyyo… what will the neighbours say? It’s not just a sentence. It’s a mood. A warning. Sometimes even a full-blown philosophy of life. I smiled the moment I opened Aruna Nambiar’s Aiyyo, What Will the Neighbours Say? because I knew, instinctively, that this book understood that sound better than most people ever will.   Reading these thirteen sto

Sitting across a café table, the gentle hiss of the espresso machine in the background, I find myself thinking about how some books don’t just occupy a shelf—they quietly occupy a part of your mind. Reminiscent Reticence by Dr. Infini Lionne is one of those rare companions. From the moment I opened it, there was a hush, a subtle invitation to step inside the spaces we often avoid: the quiet corners of memory, the unspoken emotions, the private musings we rarely voice aloud. I

I didn’t open The Life That’s Waiting expecting to be moved. I opened it the way you open a window at dawn—carefully, unsure whether the air outside will soothe you or make the ache more obvious. Brianna Wiest has a way of meeting readers exactly there, in that fragile moment when holding it all together starts to feel heavier than falling apart. This book didn’t rush me forward. It sat beside me. Quietly. Patiently. Almost insistently.   Wiest has always occupied a curious l

I opened Stories of Courage on a day when nothing dramatic was happening in my life—and that’s exactly why it unsettled me. No crisis. No breaking news. Just an ordinary day. Yet within a few pages, the ground under that ordinariness began to shift. Not violently. Gently. The way perspective changes when you overhear someone else’s truth on a bus or at a café table. You keep reading, but part of you has already gone inward, recalibrating what you complain about, what you fear

Some books don’t take you back to school. They take you back to a feeling. A tightness in the chest. A silence you learned to live with. IX B: The Fragile Heart of an Achiever did that to me—not by reminding me of my own classroom, but by pulling me into a memory I hadn’t connected to school life until now.   I grew up in a co-ed environment. Boys, girls, shared benches, shared laughter, shared awkwardness. So, when people talk about the “only boys’ school experience,” I usua

Somewhere between stretching my back before the day began and pausing longer than usual in front of the mirror, I realized I am standing at a strange, quiet threshold. Fifty is no longer an abstract number. It’s a door I can see now. So when I picked up 50 Things to Realize Before It’s Too Late by Manoj Chenthamarakshan, it didn’t feel like a casual read—it felt like an appointment with myself.   This is not a book you read with a highlighter hunting for genius lines. It’s mo

Some books announce themselves with a thesis. This one arrived like humidity on skin—quiet, unavoidable, already inside the room before I knew it. I was reading, but I was also standing on a riverbank at night, ash cooling, water moving, the world refusing to pause for grief. That opening feeling never really left me. Dhara doesn’t ask for attention. It assumes you will eventually slow down enough to listen.   Bal Krishna Thakur’s Dhara: A Journey of Grief, Continuity, and In

Meri Aankhon Ka Mehtaab doesn’t ask to be read; it allows itself to be discovered, the way calm finds you only after exhaustion has done its work. I came to it out of habit, a few spare minutes, no particular expectation. And then something unfamiliar happened—the noise inside me softened. The world slowed its grip. A gentle warmth settled in, the kind you don’t notice immediately, only realize later that it stayed long after you did.   Neelam Saxena Chandra’s reputation prec

Some books arrive like an invitation you didn’t know you were waiting for. You open the first page expecting light chatter, a pleasant distraction, maybe a few smiles between sips of coffee—and then, somewhere between one chapter and the next, you realise you’ve been quietly pulled into a room full of lives that feel oddly familiar. The Secrets of Floor Five did that to me. It didn’t knock. It simply slid into the seat across from me and began talking, softly, honestly, until

Some books announce themselves loudly. They clear their throat, adjust their spectacles, and declare, “I have something important to say.” The Daughters of Shantiniketan doesn’t do that. It sits beside you quietly, like someone at a café who doesn’t interrupt your thoughts—until, suddenly, you realise they know exactly what you’ve been thinking all along.   I began this novel expecting a family saga steeped in Bengali tradition and Tagore’s legacy. I did not expect it to feel

Some books arrive in your life like a loud motivational speaker with a mic that’s a notch too high. Others slip in quietly, pull out a chair, order cutting chai, and say, “Listen, try this one small thing today.” One Habit a Day belongs firmly to the second category.   I remember reading it late one evening, phone on silent, the house finally exhaling after a long day. No dramatic before-and-after promises. No “change your life by tomorrow” bravado. Just a steady, calm voice

I remember finishing this book on an ordinary afternoon—and feeling unexpectedly still.   Not the triumphant stillness of motivation, but the quieter kind. The kind that comes when someone has spoken honestly enough that your defences don’t know where to stand anymore. I was seated, book resting face-down, noticing my shoulders had dropped. As if something inside me had been allowed to exhale.   Limitless didn’t rush toward me waving answers. It waited. And then, very calmly,

There was a softness in the room when I finished this book.   Not silence exactly—more like the kind of quiet that follows a memory you didn’t know you were carrying. I was sitting still longer than needed, aware that something gentle had brushed past me and stayed.   The Three Greens didn’t arrive loudly. It didn’t demand attention. It behaved like a childhood afternoon—unannounced, unhurried, and somehow complete in itself. I didn’t enter the story as an adult reader. I sli