I opened A Rose on the Last Page on a night that felt ordinary. No grand intention. No search for meaning. Just a gap between two heavier reads. I told myself it would be a few poems before sleep. Something light. Something quick.   But sometimes the book you choose absentmindedly is the one that sits beside you longer than expected.   A Rose on the Last Page by Bharti Jain is not a dramatic collection. It doesn’t shout about heartbreak or decorate longing with complicated me

There’s something different about returning to a writer.   The first time you read someone, you observe them. The second time, you listen more closely.   Having reviewed earlier work by Bindu Unnikrishnan, I didn’t walk into Spilled Coffee and Some Laughs as a stranger. I walked in with memory. With familiarity. With a quiet expectation of honesty.   And this book met me there.   Some books arrive like loud announcements. This one feels like sitting across from someone who do

There are some books you don’t “start.” You gather the courage to open them.   When I picked up Coping With Cancer by Ramendra Kumar, I wasn’t just holding a Kindle edition. I was holding the possibility of fear. Cancer is not an abstract word for me. I know a couple of survivors personally. I’ve seen hospital corridors. I’ve heard the silence after a diagnosis. So yes, it took something in me to turn those first few pages.   And within minutes, I realized this wasn’t a book

There’s a particular kind of silence that follows a question you cannot answer — not because you lack intelligence, but because the pieces simply refuse to sit still. That is the silence I carried while reading Salt and Blood by Amit D'Souza. Not a loud, heart-racing thriller silence. A slower one. The kind that lingers like humidity before a storm that may or may not arrive.   At first glance, this is the story of Inspector Sheela Sawant investigating a body found under unse

There are cities you visit. And then there are cities that sit inside you like unfinished conversations.   Reading Kolkata Ø KM by Swati Bhattacharyya felt less like turning pages and more like wandering through a house of echoes. Not haunted in a loud, theatrical way. Haunted the way memory is — soft-footed, patient, persistent.   This is not a book that rushes. It lingers. It circles. It asks you to sit with moments most of us hurry past.   What stayed with me most was the

Some love stories don’t explode. They simmer. And Musafir Café feels exactly like that—two cups of chai growing cold between conversations that were never fully finished.   Divya Prakash Dubey places us gently into the lives of Sudha and Chander, two people introduced through the most traditional route possible—a parental matrimonial setup—only to find themselves questioning the very institution that brought them together. Sudha, a divorce lawyer who has watched marriages unr

I opened The United Nations Conspiracy late at night with the casual confidence of someone who believes they control their reading habits. One chapter, maybe two, I told myself. Somewhere between the first disappearance and the first coded warning, I glanced at the clock. Ten minutes had passed. It felt like an hour. My cup of warm water went cold beside me, unnoticed, as New York City stopped being a setting and turned into a living countdown. This book doesn’t unfold gently

Pune is the second city I’ve loved deeply, after Mumbai. I’ve been there countless times—often enough to know the older parts by instinct, to recognise the quiet charm of its lanes, and to slowly understand the language of its newer, faster edges too. If life ever asked me to move away from Mumbai, Pune would be the only city I’d agree to without a long internal argument. It has that rare quality of familiarity without ownership, closeness without pressure. Reading Pune Junct

I opened Stories of Courage on a day when nothing dramatic was happening in my life—and that’s exactly why it unsettled me. No crisis. No breaking news. Just an ordinary day. Yet within a few pages, the ground under that ordinariness began to shift. Not violently. Gently. The way perspective changes when you overhear someone else’s truth on a bus or at a café table. You keep reading, but part of you has already gone inward, recalibrating what you complain about, what you fear

We talk a lot about heartbreak. This book is about the decisions that come before it—the calculated exits, the postponed conversations, the confidence that silence is harmless. It explores how leaving doesn’t always require walking away. Sometimes it just requires not staying. Debasish Talukdar’s The Silence I Left Her In does not announce itself as a love story, nor does it pretend to be a redemption arc. It arrives more like a folded letter you find years later in an old dr

What happens when evil no longer needs to announce itself, and belief stops being about surrender and starts becoming a transaction?   That question sits at the heart of Aghori of Manikarnika 2: The Trident of Shiva, and it lingers long after the story moves on. I didn’t close this book feeling entertained; I closed it feeling quietly confronted, as if something ancient had observed me without judgment and left me alone with my answers.   Set against the unsettling stillness

Somewhere between stretching my back before the day began and pausing longer than usual in front of the mirror, I realized I am standing at a strange, quiet threshold. Fifty is no longer an abstract number. It’s a door I can see now. So when I picked up 50 Things to Realize Before It’s Too Late by Manoj Chenthamarakshan, it didn’t feel like a casual read—it felt like an appointment with myself.   This is not a book you read with a highlighter hunting for genius lines. It’s mo

Meri Aankhon Ka Mehtaab doesn’t ask to be read; it allows itself to be discovered, the way calm finds you only after exhaustion has done its work. I came to it out of habit, a few spare minutes, no particular expectation. And then something unfamiliar happened—the noise inside me softened. The world slowed its grip. A gentle warmth settled in, the kind you don’t notice immediately, only realize later that it stayed long after you did.   Neelam Saxena Chandra’s reputation prec

I began this book late one evening, telling myself I’d read a chapter or two and return to the world of notifications and half-finished thoughts. Instead, I found myself sitting still, the room unusually quiet, as if the desert itself had stretched into my living space. Whispers in the Cursed Desert: Inked in Blood doesn’t announce itself with noise. It draws you in with hush. With breath. With the feeling that something old is watching you closely, waiting to see if you’re r

The first thing Brahma-Patra made me do was slow down. Not metaphorically. Physically. I remember reading the opening pages late at night, phone dimmed, the room quiet except for a ceiling fan slicing the air, when I realised my thumb had stopped its impatient scroll. This wasn’t a book that wanted to be consumed. It wanted to be sat with. Like a letter you don’t open in one go, because you know once you do, something inside you will shift.   Shiv Shankar Jha is not a loud wr

Some books arrive in your life like a loud motivational speaker with a mic that’s a notch too high. Others slip in quietly, pull out a chair, order cutting chai, and say, “Listen, try this one small thing today.” One Habit a Day belongs firmly to the second category.   I remember reading it late one evening, phone on silent, the house finally exhaling after a long day. No dramatic before-and-after promises. No “change your life by tomorrow” bravado. Just a steady, calm voice

I remember finishing this book on an ordinary afternoon—and feeling unexpectedly still.   Not the triumphant stillness of motivation, but the quieter kind. The kind that comes when someone has spoken honestly enough that your defences don’t know where to stand anymore. I was seated, book resting face-down, noticing my shoulders had dropped. As if something inside me had been allowed to exhale.   Limitless didn’t rush toward me waving answers. It waited. And then, very calmly,

There was a softness in the room when I finished this book.   Not silence exactly—more like the kind of quiet that follows a memory you didn’t know you were carrying. I was sitting still longer than needed, aware that something gentle had brushed past me and stayed.   The Three Greens didn’t arrive loudly. It didn’t demand attention. It behaved like a childhood afternoon—unannounced, unhurried, and somehow complete in itself. I didn’t enter the story as an adult reader. I sli

I didn’t open this book looking for courage. I opened it expecting information.   What I found instead was a quiet lineage of bravery—lives lived when there were no safety nets, no hashtags, no reassuring headlines saying things will get better. Over The Rainbow: India’s Queer Heroes doesn’t rush at you with noise. It walks beside you, calmly, carrying stories that were never meant to be erased, only ignored.   Edited by Aditya Tiwari, this anthology brings together nineteen

I didn’t pick up The Art of Focus on a calm morning with incense burning and soothing flute music in the background — although that might have made me look more aligned with the title. Instead, I opened it on a messy weekday evening, surrounded by half-finished tasks, buzzing phone notifications, and a mind that felt like 37 browser tabs open at once. Ironically, I reached for a book about focus while being the least focused version of myself.   And maybe that’s exactly why t